“Every day is a reenactment of the creation story. We emerge from dense unspeakable material, through the shimmering power of dreaming stuff.”
—Joy Harjo, “A Postcolonial Tale”
The Dream Side is...
Meng is drawn to fiction with surprising, elegant shapes and stylish, direct sentences. She is an omnivorous reader, with tastes ranging from the documentary novels of Annie Ernaux to the fantastical worlds of Octavia Butler, an ardent admirer of poetry and a follower of Ursula K Le Guin’s “clear, clean line.” Unfortunately for her writing, she loves writing about writing (metafictions, art criticism and ars poetica, translation theory, etc). However this is fortunate for her teaching; she is often thinking about why and how we write.
Rachel is interested in the imaginative impulse that brings to being what has never existed before: whether a home-cooked meal or piece of fiction. Imagination isn’t reserved for fiction: it shapes our realities, and ultimately our world. She believes it’s imperative to practice it—ideally together. She brings her experience in space- and community-building to The Dream Side. She’s fascinated by the often contradictory foundations of art: surrender and discipline, pleasure and devotion, the mystical and practical, solitude and community. She hopes to assist students in finding and practicing their unique gifts, and fulfilling their creative potential.
Susanna is drawn to the connections between forms: words in a sentence, people in a city, water and land. Relationships are sites teeming with history, tension, possibility, and shape—all of which she sees as essential and thrilling elements of a written work. She’s also interested in creativity as a shifting practice of engaging with the shifting world. In her teaching, she hopes to help students cultivate their attention to that unstable world, explore interconnectedness, and move toward mystery.
As a writer and a teacher, Shruti is interested in exploring the edge between dream and reality—the world of the unconscious brought into the conscious world of language. In her own work, that’s led her to thinking about non-linear forms of storytelling. She is currently years into exploring the possibilities of the spiral as a literary form. Shruti’s background in yoga and meditation has also sparked an interest in writing as both a physical and a spiritual practice, explored through workshops that draw from the lived experience of the body.