“I explained the dream to myself by saying that I had caught the living room sleeping. I had entered it from the sleep side.  … I found this entrance into strangeness so supremely consoling.” 

—Anne Carson, Decreation










We offer workshops and retreats in creative writing: space for writers to dream and grow...

“…it is our dreams that point the way to freedom. They are made realizable through our poems that give us the strength and courage to see, to feel, to speak, and to dare.”

—Audre Lorde, “Poetry Is Not a Luxury”



Welcome to The Dream Side


We are friends and writers who want to enter the act of creation from the dream side. Our dream is a collaboration that allows us to teach, learn, and grow together. We want to share with you the ideas, strategies, and approaches that have deepened our own writing practices, while providing opportunities to foster artistic friendships of your own. More than a writing course, The Dream Side offers a new entry into your writing practice, and encourages living creative communities. We want to invite you into the wilderness of creation and share with you the resources that will allow you to play fearlessly there. 

We offer retreats and courses, both in-person and online, that create a protected space for you to take risks and generate new work, revitalize, nurture, and deepen your creative life, and help you become the writer you dream of being. 

You may be an experienced writer. You may have only begun to explore this side of yourself. You might be somewhere in between. See you on The Dream Side. 


Beliefs and Principles


We believe that there are as many ways to create a meaningful piece of writing as there are writers themselves. We believe that craft exists to give shape to the wildness of our dreaming. We believe that the act of writing is the act of paying attention: it is not trivial, but joyously essential. We believe that we work best entangled in the world and embedded in community. We prioritize curiosity, openness, and kindness. We practice generosity toward ourselves and others. We believe exercising our imaginations is necessary for societal change. And we are guided by playfulness and pleasure. Dreaming is hard, fun work. 

Our teaching philosophy is inspired by June Jordan's Poetry for the People, Ruth Asawa’s community art engagements, Liz Lerman's “Critical Response Process,” and our own experiences as working artists and perennial students. Our offerings are unique, exploratory events that aim to inspire connection to yourself, one another, and the wider world.

“Every day is a reenactment of the creation story. We emerge from dense unspeakable material, through the shimmering power of dreaming stuff.” 

—Joy Harjo, “A Postcolonial Tale”




The Dream Side is...


Andria Lo
MENG JIN is the author of the novel Little Gods and the short story collection Self-Portrait with Ghost. Her short fiction has been anthologized in the Best American Short Stories and Pushcart Prizes, and her books have been nominated for the PEN/Faulkner, PEN/Open Book Award, NYPL Young Lions Prize, and the LATimes First Fiction Prize. She is currently writing a fake memoir, for which she received a 2021 Creative Capital Award. She has over ten years of creative writing and literature teaching experience, from community classes to MFA programs, and most recently as a Visiting Lecturer in Fiction at Harvard University. 

Meng is drawn to fiction with surprising, elegant shapes and stylish, direct sentences. She is an omnivorous reader, with tastes ranging from the documentary novels of Annie Ernaux to the fantastical worlds of Octavia Butler, an ardent admirer of poetry and a follower of Ursula K Le Guin’s “clear, clean line.” Unfortunately for her writing, she loves writing about writing (metafictions, art criticism and ars poetica, translation theory, etc). However this is fortunate for her teaching; she is often thinking about why and how we write. 

    
Andria Lo
RACHEL KHONG is the author of the novels Real Americans, a New York Times bestseller, and Goodbye, Vitamin, winner of the California Book Award for First Fiction. From 2011 to 2016, she was an editor of Lucky Peach, a quarterly magazine of food and culture. In 2018, Rachel founded The Ruby, a work and event space for writers and artists in San Francisco’s Mission District. Her story collection, My Dear You, will be published by Knopf in April 2026. Rachel has taught undergraduate creative writing at the University of Florida, as well as a variety of online courses for adult students. Since 2021, she has mentored emerging writers with the Periplus Mentorship Collective.

Rachel is interested in the imaginative impulse that brings to being what has never existed before: whether a home-cooked meal or piece of fiction. Imagination isn’t reserved for fiction: it shapes our realities, and ultimately our world. She believes it’s imperative to practice it—ideally together. She brings her experience in space- and community-building to The Dream Side. She’s fascinated by the often contradictory foundations of art: surrender and discipline, pleasure and devotion, the mystical and practical, solitude and community. She hopes to assist students in finding and practicing their unique gifts, and fulfilling their creative potential. 


Andria Lo
SUSANNA KWAN is the author of the novel Awake in the Floating City. Her work has been supported by Storyknife, Kundiman, Oak Spring Garden Foundation, and the Center for Cultural Innovation. She has taught at Vanderbilt University and the Tennessee Department of Correction Debra K. Johnson Rehabilitation Center (formerly the Tennessee Prison for Women). She lives in San Francisco. 

Susanna is drawn to the connections between forms: words in a sentence, people in a city, water and land. Relationships are sites teeming with history, tension, possibility, and shape—all of which she sees as essential and thrilling elements of a written work. She’s also interested in creativity as a shifting practice of engaging with the shifting world. In her teaching, she hopes to help students cultivate their attention to that unstable world, explore interconnectedness, and move toward mystery. 

Abe Bingham
SHRUTI SWAMY is the author of the story collection A House Is a Body, and a novel, The Archer. She has received grants from the National Endowment for the Arts, Elizabeth George Foundation, the San Francisco Arts Council, and Vassar College, and is a 2024 Rome Prize Fellow in Literature. Shruti’s work has appeared in The Paris Review, McSweeney's, The Believer, and the New York Times, and twice won the O. Henry. Her introduction to Ursula K Le Guin’s masterpiece Always Coming Home appears in the novel’s 2023 reissue. Shruti has taught creative writing at San Francisco State and California College for the Arts, as well as with Tin House, conferences, and community spaces like the Ruby. 

As a writer and a teacher, Shruti is interested in exploring the edge between dream and reality—the world of the unconscious brought into the conscious world of language. In her own work, that’s led her to thinking about non-linear forms of storytelling. She is currently years into exploring the possibilities of the spiral as a literary form. Shruti’s background in yoga and meditation has also sparked an interest in writing as both a physical and a spiritual practice, explored through workshops that draw from the lived experience of the body.  

“Everything dreams. The play of form, of being, is the dreaming of substance. Rocks have their dreams, and the earth changes.”

—Ursula K Le Guin, The Lathe of Heaven




Current Offerings


January 2026–December 2026 [Virtual]
Yes, Molecule: A 12-Month Online Novel Generator



Past Offerings


August 9–10, 2025 in San Francisco
Rewilding Craft: A Generative Writing Retreat 



YES, MOLECULE

A 12-Month Online Novel Generator


“Everything in the world began with a yes. One molecule said yes to another molecule and life was born.”
Hour of the Star, Clarice Lispector

Yes, I want to write a novel. Yes, I want to draft my novel in ONE YEAR. Yes, I want monthly classes to motivate, inspire, and equip me. Yes, I want to hear from four different working novelists about their varied strategies and processes. Yes, I want a writing community where we cheer on, support, and hold one another accountable. Yes, I want to feel nourished and engaged, and develop approaches I can return to throughout my writing life.


YES, MOLECULE is an intensive, one-of-a-kind 12-month novel-writing course created by four award-winning and bestselling novelists and friends. We know how difficult and rewarding the novel-writing process can be, and we know that writing in community can make a daunting prospect more joyful and enriching. YES, MOLECULE is designed to offer writers the manifold types of support and stimulation writing a novel requires: intellectual, spiritual, aesthetic, structural, and communal. 

We invite writers committed to making significant progress on a novel to join us in a year-long intensive online course. Each month you’ll take part in an inspiring, practical class and meet with an accountability group to support your progress. We welcome writers of all experience levels and backgrounds, as long as you are serious about producing a draft of a novel (or making major headway on a draft of a novel) over the course of one year. This class will require considerable writing and reading. Students should be prepared to commit to writing 15–20 new pages every month and reading up to 100 pages every month.

Each month includes: one 3-hour class, optional office hours with the month’s lecturer, and a small group (cluster) meeting scheduled with your peers. Our schedule builds from beginnings to middles to endings. This is not a traditional workshop based on a critical model. Though there will be monthly opportunities to give and receive feedback, YES, MOLECULE is conceived with a radical yes philosophy. Instead of learning by a set of given rules, what is possible when your wildest and most original instincts are celebrated, nourished, and given space and direction to grow? 

By joining YES, MOLECULE, you’re saying yes to a year of writing, accountability, and support. 

Here’s what that looks like in 2026:


  • Monthly 3-hour Zoom class including craft mechanics, guided generative prompts, discussions of preassigned readings (craft essays, novel samples and examples), assignments, and practical tips and strategies
  • Monthly office hours with The Dream Side 
  • Opportunities for feedback, discussion, and support within a small accountability group (cluster)
  • Support and materials for conducting your small group, including how to receive and offer constructive feedback
  • Structure and support to generate up to 240 pages of new writing towards your novel draft
  • Two one-on-one meetings with a Dream Side writer: one at the start of the year and one at the end, when you’ll share 20 pages of your novel and discuss next steps
  • Skills and strategies you can carry into your writing practice beyond the course

Each writer will be expected to:


  • Share 15 to 20 new pages with a five-person cluster every month
  • Quickly read and give encouraging YES feedback to writing submitted by fellow cluster members every month
  • Facilitate cluster meetings twice a year

Your Instructors


Learn more about The Dream Side — Meng Jin, Rachel Khong, Susanna Kwan, and Shruti Swamy — here




Course fee & Application information


Participation is by application and acceptance only. Enrollment is limited to 20 writers to keep the experience personal and supportive. Applications will be reviewed on a rolling basis. We encourage you to apply early.

Course fee: $5,000 
($2,500 deposit at acceptance, $2,500 by January 6)

We are offering four need-based scholarships at $167/month. (We also hope to offer an asynchronous, pre-recorded version of the class in the future for those who are interested in a more accessible, self-directed option. Sign up for our newsletter to stay updated.)

Please note that tuition is non-refundable once paid.

APPLICATION DEADLINE: December 1, 2025
ONLINE INFO SESSION: November 19, 5 p.m. PST (register here)






Class Schedule*


All meetings will take place over Zoom.
Three-hour lectures held Saturdays 9 a.m. to 12 p.m. PST
Optional office hours held Wednesdays, 5 to 7 p.m. PST
Small group meeting (cluster) to be scheduled with your group
*Class topics subject to change, but these are the actual dates: 

Jan 7
INTRODUCTION AND ORIENTATION

BEGINNINGS

Jan 10 
DISCOVERY / total POSSIBILITY / modes of COLLECTING / cultivating attention

Feb 7

FIRST SENTENCES / first paragraphs / first pages / hearing a VOICE

Mar 7
NOT KNOWING / following trails / FASCINATION / getting lost / RESEARCH

Apr 11
DRIVING QUESTIONS / secrets / ENGINES / building a reality and BELIEVING

MIDDLES

May 9
SIGNS OF LIFE / maps and plans / STRUCTURE

Jun 13
 
DEEPENING / expanding world through character / STAMINA

Jul 11
MAKING THINGS HAPPEN / getting distracted staying focused / inviting randomness / BEING HAUNTED

Aug 8
TENSION / suspense / OPPOSITES

ENDINGS

Sept 12 
LETTING GO / ego death / mystery and certainty / TRANSFORMATION

Oct 10
PLEASURE / pleasurable endings / CLIMAX AND SATISFACTION

Nov 7

DEVOTION / seeing it through  / doubt / HOW IT CHANGES YOU

Dec 5
PULLING A THREAD TAUTLY / stepping back to see / What did I make? Who am I now? / RE-VISIONING 

Dec 9
CELEBRATORY READING




Questions? 


Join us for our Zoom info session on November 19 (Register here.) Or send us an email: hello AT thedreamside.com